In “Bar Boys: After School,” Sassa Gurl steps away from her trademark humor to take on a more restrained, dramatic role. In an exclusive interview with radar Entertainment, she reflects on earning respect as an actor, learning from veterans on set, and…
After an unsuccessful run for QC councilor, Enzo Pineda reflects on service without a title, personal growth, and why his return to “Bar Boys: After School” feels more personal than ever.
From chart dominance to major award recognition, Filipino music closed 2025 with steady momentum, driven by artists who sustained relevance rather than chased virality.
Before the awards and the history-making win, there was a woman who danced to shake off nerves and held onto a childhood dream of the silver screen.
In the MMFF entry “UnMarry,” Angelica Panganiban returns to the big screen at a moment of personal recalibration. In an interview, she reflects on balancing work and family, learning to slow down, and why peace has become her priority.
In Bar Boys: After School, Rocco Nacino returns to a world that helped define a generation of Filipino viewers. He reflects on revisiting the story, mentoring younger actors, and the kind of legacy he hopes to leave behind.
‘Manila’s Finest’ breakout star Ashtine Olviga explains why her character’s fight with her father is a mirror of today’s political landscape.
Exploring how Gen Z’s unforced rediscovery of ’90s icons reveals a deep shift in OPM streaming habits.
A reflective essay on grief, projection, and why art cannot carry the weight of real loss.
Written during lockdown, the actor/director’s new book explores vulnerability, fatherhood, and the Kintsugi philosophy of finding beauty in letting go of control.
