
A film festival honors Sue Prado’s work, spotlighting her commitment to human rights storytelling.
The late Sue Prado never really spoke of “dream roles” the way most actors do. For her, the answer was always simpler, and heavier.
“Mga hindi ko matanggihan ay ‘yong mga roles na may kinalaman sa human rights,” she once radar Entertainment, almost matter-of-factly, as if it was the most natural thing in the world.
That clarity defined much of her work on screen. Whether it was a short film, indie feature, or experimental piece, Sue gravitated toward characters who existed at the edges of society: those often unheard, unseen, or deliberately pushed aside. And she leaned into them fully, without hesitation.
“Generally speaking, wala akong dream role,” she added in the same conversation. “More than that, I think the question is what I’m not able to do yet. Those are what I look forward to.”
“I’m always hoping that I get to do more roles that advocate, champion human rights,” she said. “Even if it’s sci-fi or animation, basta may kinalaman sa buhay ng tao, sa pagiging tao, sa pakikipagkapwa-tao.”
Cinema as a form of service
In her view, cinema wasn’t just entertainment but also a form of service. A way of pushing forward stories that are often silenced or ignored.
“I see cinema, or my profession as an actor, as storytelling,” she said. “So sana nakakatulong din ako sa pagtulak ng mga naratibong kailangang marinig dahil sinisiil sila, dahil pinipilit silang hindi pakinggan.”
That sense of purpose followed her across projects, especially those rooted in social realities. “Art in general, and the art that I make, is a form of service—sa kultura, sa bansa, at sa tao.”
It’s this body of work and belief system that continues to define her legacy, even beyond her passing. Colleagues often describe her not just as an actress, but as someone who made every role feel like a quiet act of resistance.
To honor that legacy, the Human Rights and People Empowerment Center is holding a film festival titled “Mula Kay Sue,” featuring short films that echo the same themes she championed.
The lineup includes Kim Timan’s “Caramel Child” (2017), Sam Manacsa’s “Kung Wala Nang Tulad Natin” (2017), Pepe Diokno’s “Lumang Tugtugin” (2024), and Raymart Avellaneda’s “Marahan” (2025).
The tribute screening is set today, April 29, at 7 p.m., at Harong, 56 Mother Ignacia, Quezon City, with free admission. A talkback and remembrance session will follow, focusing on Sue’s advocacy work, including conversations around the Eddie Garcia Law. The evening will close with the Harong Queens’ Drag Aftershow.
Pre-registration is through bit.ly/miyerkulet.
Presented by the Human Rights and People Empowerment Center, Teatro Tao sa Tao, Harong Queens, and Aktor PH, the event stands as both a celebration and a continuation of the causes Sue Prado held close—stories that refuse to be silenced.
Even now, her work keeps speaking.
“I’m always hoping that I get to do more roles that advocate, champion human rights. Even if it’s sci-fi or animation, basta may kinalaman sa buhay ng tao, sa pagiging tao, sa pakikipagkapwa-tao.”
Sue Prado
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